一(🔨)直作為米(mǐ )路斯(sī )(📼)．科曼劇本鐵(🌰)三(🃏)角（(😘)另一(🕸)位是(🔱)帕培錫，也是本片編(biān )劇之(🐉)一(🛤)）(🌰)成(🍖)員(🔬)的艾雲．巴薩(sà )，當然也走低度戲劇路線。同是音樂(lè )(⚫)家的(de )彼(🔸)德與卡(kǎ )(🤷)洛老(lǎo )友重逢，生(shēng )活狀況大不同，你有伴侶我有家庭，然(😚)而都有說不出的(de )不明(🥀)朗，唯(😱)有(yǒu )以酒(jiǔ )與音(yīn )樂代(🌙)替口水。全片推展不(bú )問目(mù )的(🖲)，只在剎(chà )那間的意圖，行行(🗞)企(🙂)企(qǐ )比起科曼更義(🤠)無(wú )反顧，卻(què )有生活淡如流(liú )水的(🍄)詩(⛏)意(🥫)和繆思(sī )，叫觀眾聯想到(💠)二十年後的伊力．盧馬。巴薩鍾愛音樂的(de )程(chéng )度不下(💹)於文字和電(diàn )影，古典音(yīn )樂與(yǔ )民間音樂於全片(👪)迴轉迴(huí )盪(dàng )，難(nán )怪成了奇斯(sī )(💯)洛夫斯基十大(dà )心愛(ài )電影之一。　　　　康城影展(zhǎn )青年評審團(tuán )獎，美國全國(💣)影(yǐng )評(píng )人協會(huì )(⏳)特別獎(jiǎng )(🎐)　(👗)　　(👚)　這(⏺)部(👩)1966年的珍品(pǐn )，是捷克新浪(làng )潮(🏸)短暫(zàn )生命中最(🔮)佳作品(🐈)之(zhī )一。成名(míng )音樂家到小鎮(💛)探訪舊同(⛅)學，舊同(🈸)學(xué )(🙅)是個(gè )窮音(yīn )樂教師，有時在喪禮上吹奏(zòu )樂(🌒)曲(qǔ )。平凡的素材在巴素手裡(🔮)，變(♟)出風趣復(fù )罕見的旋(🍗)律，一部(🖥)憂鬱的(de )喜劇(🐼)，或灰色(🖥)喜劇。　　　　- Dave Kehr, Chicago Reader　　　　Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight.　　(🏳)　　Special Award, National Society of Film Critics Awards　　　　Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair.　　　　- Elliott Stein, Village Voice　(🐻)　(♊)　　Source: HKIFF Czech New Wave 2006