故事分成三個章節：主要的章節由高達親自(zì )飾演導演，正要(yào )趕乘飛機，在(🛤)24小(xiǎo )時內(🗼)把一(yī )部電影的(de )菲林交(jiāo )給(🎲)監(jiān )(🎏)製；同時一隊二人(rén )流(⚫)行電子音樂(🎩)組合(hé )，不斷排練歌曲，最後在路上表演；(🕌)另一邊廂，愚笨的大肥佬(lǎo )(😻)捲入一宗事(🥀)件，被神秘女人密(mì )切監視，最後(🔩)更被拘捕。三段故(🖲)事看(kàn )似(sì )毫(háo )無(wú )關(🎛)連，實(🥎)際是(shì )(💻)高達以電影來討(🏂)論(lùn )電(🤠)影製作和藝(👓)術創作(💪)的(⛓)重(chóng )(🎾)要。片名看似帶有弦(🔔)外之音，就像(💠)高達暗示，假如監製或(🚴)其(qí )他人要(yào )(🕯)干(gàn )擾導(🗳)演的(de )(🈁)藝(yì )術創作(💔)，就(jiù )索性(👊)我行我素(🐾)，忠於自己(🏻)的道路好了。這大(dà )概(gài )亦示(🌼)範了(le )高達(🐩)如(rú )何純熟(shú )地(dì )運用電影(yǐng )媒體來(lái )(🔍)做(zuò )評論。　　A film in three chapters: Godard plays the director in the main chapter, rushing to catch a plane to pass the negatives to his producer within 24 hours; an electronic duo keeps rehearsing for their roadshow; a clumsy fat man gets involved in an incident, and is arrested after being watched by a mysterious woman. Seemingly unrelated events, Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity, it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.